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Louise ScammellPrintmaker

Louise ScammellPrintmaker

Louise Scammell is a printmaker based in South Devon. She prints in her own studio and teaches at the Art House, South Brent.

Louise gathers ideas for her work from walking on Dartmoor and from the South Devon coast where she dives, rows and fishes. She is happiest when she can translate her field sketches into prints. Copper, lino and wood and other materials are used to make plates and she enjoys the endless possibilities of mark making on the surface of the plates and the inevitable excitement of lifting the first print proof off the press - the start of a new edition . . .


Click here for more about Louise . . . Watch the video below to see her at work . . .

the prints

A NEW PROJECT

I am a keen free diver and have wanted to make a body of work describing underwater landscapes for some years. The act of diving is an intense experience, the light and colour changing in a moment. I love the anticipation of seeing something shimmering, unknown, fleeting...

The idea of drawing both in and underwater started forming in my head. I wanted to be able to translate sketches directly into print, so I needed to find a way of printmaking to enable me to do this.

Luckily I found a course in Spain and in 2017 went to study a process called 'Mokulito.' a type of lithography using plywood instead of stone as the substrate whic allows reproduction of the drawn mark.



A NEW PROJECT

I am a keen free diver and have wanted to make a body of work describing underwater landscapes for some years. The act of diving is an intense experience, the light and colour changing in a moment. I love the anticipation of seeing something shimmering, unknown, fleeting...

The idea of drawing both in and underwater started forming in my head. I wanted to be able to translate sketches directly into print, so I needed to find a way of printmaking to enable me to do this.

Luckily I found a course in Spain and in 2017 went to study a process called 'Mokulito.' a type of lithography using plywood instead of stone as the substrate whic allows reproduction of the drawn mark.



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